September 2006 Archives


September 28, 2006

Australia Women’s S/S 07 – Davis Eyes & A.N.G.E.L

You mix McQueen, Jeremy Scott and a little Heatherette in a bowl and what do you get? Justin Davis and his label Davis Eyes & A.N.G.E.L. In the opening section Davis sent out a series of cult looks that mix the pop world with the modern jersey looks Norma Kamali. The combination of fabrics Davis used in these looks did not complete the looks or the overall feeling of the collection. While there was a rocker chick feel to the collection, piece after piece the show was a parade of the same look. The first two looks to open the collection were a brocade dress and skirt/top combination. There were too many types of brocade used in each of these garments. One of the standout pieces in the opening section was the cream jersey mini dress with long sleeves and band of gold brocade fabric trimming the hem of the dress.

The must have piece from the collection is the strapless purple pop print dress with a ruffled hem. Take the hot pink and purple drape below the waist and you have a cute dress, less is more when the look is more on more. At the close of the collection I was a little confused with the last look, a model walked out with the crotch of her leggings hanging between her legs. You can see the play with lines in several of the looks but Davis is to focused on making each look unique that she did not realize that there is no real fluid design from one look to another. In the end I would love to have seen more loud prints from Davis and less of the minimalism.

View complete collection at Vogue Australia

[images via Australian Vogue]

September 27, 2006

Australia Women’s S/S 07 – CHITRA’S CLOSET

Designer Chitra Mangma tends to steer clear of a flashy fashion design when creating her collection. This season Mangma opened her collection with a series of dress looks done in a very simply boxy shape and in a dark color palette. My first reaction to the opening was the looks were to frumpy and effortless. For the second section Mangma started to add more color as well as some prints. This move away from boxy design resulted in some really tailored and feminine looks. On of these standout looks were the Windsor check baggy leg pedal pushers. Chitra used two different Windsor check prints to detail the pant cuffs and sides. The look was completed with a cape shape red wool jacket and black and white print blouse with copper satin ribbon detailing.

The must have pieces from the collection are two pant looks. First is the pleated full leg Windsor check dress slack with a matching draped sleeve jacket. The other must have look is the olive green and black Windsor check full leg slack worn with a olive green short sleeve jacket. The jacket is made of a green knit fabric that is detailed with black satin ribbon square weave and the lapel are lined with a pinstripe fabric. While these 3 looks really stood out in the middle of the collection, Mangma swung back to the boxy structured looks for the close of the collection. Those three looks in the middle of the collection is proof that Mangma has the talent. One of the things she needs to steer from is abundance of different fabrics used in a single look. In the two Windsor check print looks Mangma exhibited the ability of constraint.

View complete collection at Vogue Australia

[images via Australian Vogue]

Australia Women’s S/S 07 – SHOW OFF

Designers Ashley Harrison and Peggy Monikos took inspiration from Audrey Hepburn in the 50’s and mixed it a little of “Petticoat Junction”. The combination is full endless possibilities of frills and girly details mixed with a clean lines and masculine shapes. In the opening section the duo showed leggings with several looks although there was only one print used in the whole collection. One the standout looks in the opening section was a crisp clean white dress with a dress shirt collar and little ballooned sleeves finished with a ruffle. The fabric used for the dress is white cotton voile with an embroidered dot on the fabric.

The overall statement of the collection is a strong but demure woman in very clean and simple designs. There is some details in the looks but overall Harrison and Monikos were grabbing at a style not their own. They duo got lost in the design references and forgot to give the looks their design aesthetic to tie the collection together, leggings is not a aesthetic! One of the must have looks from the collection is the long sleeve black jersey mini dress with the hem of the skirt, belted waist and neckline finished with a cream cotton voile. While there were a few standout looks in the collection, I would like to have seen more length in the collection. Most of the skirts were short or knee length.

View complete collection at Vogue Australia

[images via Australian Vogue]

Australia Men’s S/S 07 – XENHEIST

At Xenheist its more hooded jackets and plaids but its Bernard Taylor’s full leg pant that is the show stopper. While he incorporated a paisley print into one look, one of the strongest looks from the collection are all the full leg pants, which he showed with several printed t-shirts. Another strong pant look was a black cotton full leg pant with a diamond print on the fabric. The pant is worn with a white and black pullover that has a snap hood. In the closing section Taylor showed a series of matching pant and jacket suits. The fabric for the suits was a combination of odd color palettes used in the prints.

The must have piece from the collection is the read and gray plaid print jacket. The design is very simple and clean but Taylor added some modern embellishment like the dashes on the collar bone which a suto-military. The look is completed with a black wool full leg pant. While Taylor was keeping with a loose silhouette for mens the overall focus of the collection was little off base. On a side note, in the designer notes the designer listed Gemma Ward as a client. Now I don’t see Gemma Ward as being the burly gurly kind of girl.


View complete collection at Vogue Australia

[images via Australian Vogue]

September 26, 2006

Vivienne Westwood and Nine West

Designer Vivienne Westwood launched her new line for Nine West at Macy*s New York Flagship. Here is a quick video that was posted up onto Youtube today by the Fleishman-Hillard team.



* The must haves are Vivienne's Ballerina flat and her Beufort purse!

To view the complete collection visit - Vivienne Westwood at Nine West.com (click the image below)

Thank you Chet Gulland for sending the news!

Australia Women’s S/S 07 – UNDER CONSTRUCTIONS

Under Constructions looked to their over 25 market and saw the 80’s and Japanese minimalism staring back at them. Designers Jill Crabb and Helen Miraudo opened the collection with several lace pieces and looks. Giving us a number of lace looks that incorporated some of the big trends of last season, hoods and sleeveless tops. The overall result is the tops and looks were too 80’s, like the sleeveless and hooded all lace pullover with no backing or lining. As the collection progressed Crabb and Miraudo added more tailored pieces. The focus of these pieces was to air on the minimal side of design. One of the strongest pieces in this section was olive green skirt with a silkscreen print of three belts in a cream white. The look was finished with a black lace wrap top.

In many of the other looks the tailoring is really loose on the models. The sizing or fitting is actually too loose. I am not sure if that is the look the duo was going for in hopes the UC customer could see that the clothes could be worn in larger sizes. While they did show a few prints in the collection, none of them really jumped out. The must have piece from the collection is the white jersey long sleeve top with a wrapped waist worn with a dark olive green silk knee length skirt. I could see that Crabb and Miraudo’s reference to shapes synonymous to Garcons and Miyake but the overall execution of the looks is lacking proportion and structure. Overall it felt like a bad version of Project Runway.

View complete collection at Vogue Australia

[images via Australian Vogue]

September 25, 2006

Australia Men’s S/S 07 – MAYSON

For his Spring/Summer 2007 collection designer Jake Mason abandoned his abundant use of color for a dark palette. In the opening section Mason showed a number of looks that are common stock for menswear today. Everything from skinny leg pants to hooded coats. One pant trend that I saw in San Francisco and again at Mayson is the low crotch pant. A trend I hope will not translate further. Mason did however touch on the whole print craze this season, offering his customer a couple printed shirts and even some knitwear pieces. One of the standout pieces was the black and white checkerboard knit sweater with a wide crewneck.

Later in the collection did add more color to the collection. Most of the color is focused in the knit pieces. Another big trend that Mason showed and two of the must have pieces from the collection are two knit pieces. First is the gray merino wool cardigan with a band of red trimming the opening of the cardigan. The other must have piece is the bottle green merino wool cardigan. The cardigan is extra long, draping down to the crotch. Sadly both cardigans were worn with a skinny leg pant. Last season Mason used an abundant amount of color in his collection. Although there were a few color pieces and prints used in the collection. The lack of color is a distraction.

View complete collection at Vogue Australia

[images via Australian Vogue]

September 22, 2006

Australia Women’s S/S 07 – MAD CORTES

Girly, Feminine, Girly, designer Mira Vukovic’s Mad Cortes collection is full of fairytale shapes, ruffles and bubble shapes. In the first section Vukovic showed several bubble shape looks in mild tones of color. Sadly a lot of the opening looks had no fluid look, it seemed as though Mira was all over the place. Showing a series of last season trends, each look more monochromatic rather than mixed together. In the second section she jumped away from mild color palette and showed a long series of all black and gray looks. One of the first standout pieces in this section was a dress that utilized the balloon shape with balloon shape skirt hem and shoulders. Mira used a treated black and grey cotton fabric that looked like leather. The look was finished with a belt and fishnet stockings. Another strong look in this section was another balloon shape crepe dress. The skirt of the dress in done in a balloon shape with black gamine draped over one shoulder and over the bodice of the dress.

One of the best trends that Mira showed on the catwalk was a fishnet stocking which she used on several looks. There were two must have looks from collection. First is the purple and burgundy print skirt with the waistline ruffled. The skirt is short and worn with wide black velvet belt and the look is top with a black long sleeve knit blouse with drape of ruffles down the front and the shoulder are rolled giving the blouse a Gucci look. I know the blouse ever very 4 seasons ago; the combination of skirt and the top and black knit stockings is sexy. The other must have look is the black silk crepe dress with hem of the skirt finished with a ruffle and a ruffle drape draped from one shoulder strap and down the front of the dress to the opposite hip of the dress. While the opening of the collection is muted and dull, the black section of the collection was the key to Vukovic’s design aesthetic. The all black looks had character and Vukovic’s experimentation is evident and a success giving us strong looks.

View complete collection at Vogue Australia

[images via Australian Vogue]

Australia Women’s S/S 07 – DHINI

Structure, tailoring, deconstruction and restructuring those are the strong viewpoints to Dhini Pararajasingham’s Spring/Summer collection. It’s evident that Dhini brought her tailoring talent from London into her collection. Previously Dhini was a member of the Boudicca design team and now she is testing the waters of Australia with her new label. The result is a tidal wave of design and structure. In the opening section she showed a series of restructured deconstructed looks, reworking classic pieces while adding new lines to each piece. Like rounding the edges of jacket openings, cropping trench coats on a bias as well as giving a slim pant balloon shape thigh. One of the standout of looks in the opening section is a gray cropped trench coat with long sleeves. The front opening of the jacket has been reshaped with layers of crescent panels over a wishbone opening with two large buttons. A unique piece from the collection that is worn with stone color cotton short that is overlaid with a brown tweed short and sectioned with cotton short.

Another strong look in the opening section is brown silk crepe pencil skirt with a flared hem and ruffles running down the back seams of the skirt. The skirt is worn with a sheer white gamine shirt with elbow length sleeve that is finished with a ruffle cuff. The color palette for the collection was predominantly black, white and khaki brown with a splash of red here and there! Dhini only showed one print in the collection, red poinsettia print, which she used in 4 looks. One of the standout print looks was the balloon shape pencil skirt worn with a skinny white belt and another version of Dhini’s cropped trench coat. This version has a short sleeve and matching belt worn high on the torso.

The must have look from the collection is longest trench coat that Dhini showed. A white cotton long sleeve trench coat with a double lapel and a flared shape to the coat, similar to a cape shape. Dhini belted the coat with the body of the coat gathered at the waist. To finish the look a matching white cotton pencil skirt a balloon shape in the front. For a small starter collection the overall execution and vision is complete. Several looks were offered from daywear to pant looks and even a few evening pieces. Two of the strongest trends Dhini emphasized was the balloon shape and belted torso’s. I am really interested in seeing more of Dhini next season, possibly a larger collection and more evening looks. Bravo Madame Pararajasingham!

View complete collection at Vogue Australia

[images via Australian Vogue]

September 21, 2006

Australia Men’s S/S 07 – FASHIONASSASSIN

One of my first notes for the mens and womens at Fashionassassin was on the models hair. The womens hair was shapeless and way to messy while the mens hair was cleaner and prettier, a rare thing! For his menswear Alex continued add more bold prints but making sure they were in guy friendly colors of red/black/blue. He used a honeycomb geometric print on several looks and the print seemed to jump out at you, not in a pleasing way! There was one look that the print was done in soft canary yellow, which is probably the only toned down version of the print. The print was used on wide crewneck t-shirt with the shoulder seaming detailed with a black cotton stripe.

There is one must have piece from the collection and one must have look. First there is the olive green cardigan, which Alex used in his womenswear collection. Then there is his must have look for the season, which is a trend that we saw in San Francisco. The reverse cargo pant, a full leg cargo pant with the cargo pockets moved from the side to the front of the pant. Alex showed this pant several time throughout the collection. One of the strongest looks was the cargo pocket pant in khaki brown worn with asparagus yellow and white print shirt and white cotton vest. You have to have more than beautiful hair and cute little details to have a great collection. What is really distracting in this collection is Alex’s loud prints that opened the collection. I would like to have seen more toned down prints and more emphasis on the details

View complete collection at Vogue Australia

[images via Australian Vogue]

September 20, 2006

Australia Women’s S/S 07 – FASHIONASSASSIN

At the Fashion Assassin womens collection for Spring/Summer, designer Alex Zabotto-Bentley abandons the dark palettes that several designers are using during Australia Fashion Week. His gift to us this season is pleve of prints in array of colors. While some of the prints span over several decades of design Alex focused on doing the prints in some bold colors. One of the standout prints in the collection is geometric honeycomb print done in several colors. The print was used on a short sleeve shirt worn with khaki corduroy short. The short is the key piece to the look and one of the standout trends in Alex’s collection. The cuff of the Khaki brown corduroy short is finished with a black ribbed knit elastic which creates a balloon shape to the short. This is one of the unique trends that we saw at San Francisco Fashion Week and hopefully it will carry on to NY and Paris.

Another strong print look from the collection is the brown and aqua floral and fern print. The print was used on a high waisted short sleeve dress. Alex steered away from a lot of the bid trends that we have seen recycled from the Fall/Winter collections. However he did barrow from the menswear shows in Milan and Paris with a knit cardigan. The standout knit look was a dark olive green knit cardigan. The cuffs, lapels and hem of the cardigan are finished with a ribbed knit. It’s worn with a olive green and white geometric print dress-shirt dress. The key to Alex’s womenswear is young, comfortable and certainly daring. While the designs of the clothes are very reminiscent of the 40’s with trench collar dresses the strong point of the collection is not his use a lot of new trends but his use of prints in the collection. Bravo Monsieur Zabotto-Bentley!

View complete collection at Vogue Australia

[images via Australian Vogue]

Australia Women’s S/S 07 – BELINDA FAIRBANKS

For Spring/Summer 07’ designer Belinda Fairbanks looks to the ski bunnies of Switzerland with a drop or two of 70’s Charlie’s Angels here and there. In the opening section Fairbanks showed a series of cashmere and wool knit dresses. The detailing of the knit is very simple with a Swiss design, while the length of the dress is very short and very sexy. One of the standout dresses in this section is the navy blue cashmere knit dress. The hem of skirt and the cuffs of the long sleeve ribbed and the neckline of the dress is wide v-neck. Fairbanks showed a gray version of the same dress, both dresses were worn with a black knit stockings.

A great theme this season is resurrection of 60’s and 70’s geometric prints. The combination of earthy colors of the 70’s and bold color combinations of the 60’s date the prints but the unique design adds a modern twist. Belinda showed only a handful of strong looks in the collection using prints. One of the strongest prints was a brown and green print on silk umbrae. She used the print on two great looks; first a simple smock dress with flared sleeves. The other look is floor length gown in silk umbrae with a single shoulder strap and finished with a white silk satin belt around the torso of the dress.

The must have piece from the collection is one of Fairbanks long sleeve knit dresses. The dress is red cashmere dress knit dress with ¾ length sleeves and the hem of the dress is to the knee. The length of the knit dress creates a pencil skirt shape and the look is finished with cropped black velvet vest and black knit stockings. The overlook of the collection is very fluid and Fairbanks really took some of the best looks or trends from 60’s and 70’s. One could even say that the look for the collection is very close to Brigit Bardot in the 60’s. While Belinda chose to show a few of last seasons trends like the baby doll dress she really took a chance and did what she felt outside of the box right now. While I would have loved to have seen longer skirts or gowns in the collection, Fairbanks sexy tailoring and fluid shapes really made this collection. Bravo Madame Fairbanks!

View complete collection at Vogue Australia

[images via Australian Vogue]

September 19, 2006

Australia Women’s S/S 07 – ANNA THOMAS

Designer Anna Thomas looked to 60’s mod and 70’s Mary Tyler Moore for inspiration of her Spring/Summer collection. Thomas kept his look very boxy and untailored; the pieces appeared to be 2-3 sizes to big for the models. One of the strongest themes in the opening section was a very soft masculine look with several pant looks. Anna kept the pant leg very loose and varied the length from long to ¾ length. One of the standout looks was a Windsor check flat-front long pant worn with a 60’s bubble print crepe long-sleeve blouse under a lavender and purple stripe v-neck sweater. Another great trend that Anna carried over was her use of plaid fabrics. The standout pieces were the handful of plaid skirts that have a high waist and a flared hem from large pleats. One in particular is the brown plaid skirt worn with pale aqua turtleneck top and a heather green knit cardigan.

In the second section Thomas added a lot more knits to her collection. One of the standout knit looks was a pale olive button-front cashmere cardigan. The knit piece was worn with a decadent 70’s hourglass print on long sleeve silk blouse, didn’t favor knee length balloon shape skirt. In the close of the collection Thomas moved away from her decadent color palette and showed several all black looks. One of the standout pieces in this section was a Givenchy style black dress often seen on Audrey Hepburn. Thomas played with the design of the dress and finished the waist of the dress with black silk sachet tied with a black satin ribbon. This look is a classic piece that can be worn for any occasion. It’s great to see that Anna still embraces the whole idea of the little black dress. It’s an essential to any woman’s wardrobe.

With so many bold pieces throughout the collection the must have looks are two day looks. First Is the red plaid knee-length skirt worn with a gray tweed blazer with black velvet detailing the lapels and pockets of the jacket. The skirt is reversed with bottom of the skirt pleats in the front and the pleats are spaced 4 inches from each other. The must have piece is the dark gray wool long sleeve button front dress. The bottom of the dress is trimmed in pale seafoam green wool and the buttons are the same sea foam green. Anna Thomas’s choice of prints and color is her focal point for Spring/Summer. Her color combinations of green and pink and sea foam and gray are daring and give life to her collection. Anna’s woman for Spring/summer is strong but still feminine. Her references to last season trends is very subtle but its her construction of the pieces that really standout. From her reverse pleated skirt to her little black dresses. Bravo Madame Thomas!

View complete collection at Vogue Australia

[images via Australian Vogue]

September 18, 2006

Australia Women’s S/S 07 – TONI MATICEVSKI

For Australia the Spring/Summer collections is more like Fall/Winter. At the opening of Australia Fashion week designer Toni Maticevski took her detailed eye for couture fabrics and embroidering in dark shades while keeping the very light and feminine. In the opening section of her collection she showed a handful of looks for day that could easily move into evening. One of the standout pieces in this section was the white linen short sleeve safari shirt, belted around the waist. The shirt is draped over a layered skirt. The skirt is constructed with layers of white tulle layered over a layer of white silk voile. The top layer of the organza layer of the skirt is covered with lily of the valley embroidered and embellished with beading. Another great piece from this section is the white pencil skirt.

In the opening section the lengths varied and Toni continued to use a combination of sheer fabrics piece with heavy fabrics. In the closing section Maticevski only showed one long gown for evening. This look was a floor length chiffon gown. The chiffon is printed with a minimalist feather print, when viewed from a distance it creates a tie-dye or Indian look to the fabric. The gown is detailed with ruffles around the waist, hem of the skirt and on the bodice and straps. When this gown closed the show the editors, buyers and onlookers start clapping early. With many designers today really jumping off the deep end of design, its nice to see a designer who really embraces craft of fashion design along with construction and detail.

The must have piece from the collection is one of Maticevski’s lily of the valley pieces. A cream silk crepe sheath dress overlaid with a white organza shell covered with a embroidered and beaded lily of the valley. The organza shell has a cape shaped back while the cream crepe dress is tailored close the waist. Toni was trying to create a very feminine but very strong statement of quality and detail with her collection. While many designers are brrowing some of the trends from last season and taking these trends beyond what’s necessary or needed. Toni Maticevski was able to take these trends and create some of the softest looks that just lightly touch these trends. Maticevski certainly has set the bar high for the remainder of Australia Fashion Week. Bravo Monsieur Maticevski!

View complete collection at Vogue Australia

[images via Australian Vogue]

September 17, 2006

San Francisco Fashion Week S/S 07’ – Men’s Wrap Up

Only four designers showed menswear during San Francisco Fashion Week. While there was a broad spectrum of looks, from Richard Hallmaq’s water polo suit clad models to Daniel and David Concepcion everyday chic. There were only two really strong trends shown during Fashion Week. These two trends first made light during Milan Menswear in July. One of the strongest trends hitting the mens runway is the full leg pant. Slowly designers are moving away from the slim fit or skinny leg pant. Both emerging designers J9 and Concepcion stuck to the full leg pant, while Gypsy & Loic and Hallmarq showed both the full and skinny leg pant.


Another unique trend that we saw during SF Fashion Week is the use of ribbed knit elastic to detail mens pants and shorts. This elastic is commonly used on mens bomber jackets or “member’s only” jackets. At the Gypsy & Loic collection the designer duo used the knit elastic to trim the pockets on two pants and to cuff a mens short. While the menswear shown at SFFW was very broad, what was lacking was mens eveningwear or even men’s suits. Hopefully next season we see more menswear on the runway.

San Francisco Fashion Week S/S 07’ – Women’s Wrap Up

For it’s Junior Fashion Week, San Francisco’s talent and strongest statements came from some of its new participants. A vast majority of the trends we saw on the runway were repeats of last season’s (Fall/Winter) trends. Everything Ruffles, Balloon Shapes, Spanish Flare and Hooded Looks. Last season trends aside many of the younger or new designers jumped outside of the box and gave us a few trends we are starting to see on other runways post Fashion Week.

Out the repeat trends, one of the most repetitive trends throughout the fashion week was Ruffles. The repetition of ruffles from collection to collection became more of a headache. Only a few designers really took the ruffle to the next level. Like designer Cari Borja who showed several ruffle looks in her collection. Borja edited the ruffle technique by cutting the ruffle in a zigzag motion and finished the hem with a zigzag stitch. Another strong trend that Borja added to her ruffle looks was rich printed fabrics like brocades even damask fabrics.


For over 6 seasons now the world of fashion has been pushing the skinny pant onto the runway. This trend was originally developed from Hedi Slimane’s second collection for Dior and women buying up his first skinny collection like it was hot stock market item. At the menswear collections for Spring/Summer 07’ in Milan and Paris, we finally are seeing the skinny pant slowly disappear. The trend is slowly disappearing at the SF collections. Designers Kelly B, Briana Swords and Laura Sato of HisByHer took the full leg pant into their collection with open arms. While some designer added a sailor look to pant the relaxed leg is a great look for Spring/Summer 07’.


A few designers this season have taken the post war 40’s and restructured the whole look for the woman today. Three designers at San Francisco really mastered this look, from HisByHer a black silk satin dress with a button down front. With a peter pan collar and cascading pleated fans on the back of the skirt in a white silk satin. Another great look was designer Lily Samii’s hunter green cotton dress with a boxed neckline and a short sleeve lined with a ruffle. This look incorporated another new trend this season, the frayed edge. Samii finished the hem of the dress and edges of the belt with a frayed edge.


From Cari Borja, Donna Lou, Erin Mahoney to Pink Elf and Tamiece, prints were scattered all over the runway. Designers showed a broad spectrum of print designs. From modern prints in bold and brass colors of rust and copper to feminine floral prints in aqua’s and pink’s. While there were a few designers who showed some dull prints, designers like Cari Borja and Erin Mahoney flourished. Mahoney’s Pucci and St. Laurent inspired prints were vibrant and light up the runway. Designer Cari Borja only showed a handful of prints but her eye for combining contrasting prints is complete!


Lace is very delicate and certainly special and often its absent for long stints during collections. Finally lace is making a comeback! Only a few designers used lace in their collections this season, for designer Cari Borja lace added a sexy Spanish look to her feminine and earthy looks. Borja’s standout look was the black polka dot lace over a black life print on white silk. The strapless gown is made up of several tiers of silk and lace gathered creating a ruffle shape. At the Donna Lou show, designer Amanda Lefebre showed several skirt and dress looks with a polka dot lace petticoat. She also detailed the seaming on several piece with lace. Designers Besnik and Lily Samii took lace to the extreme; Samii detailed her lace with beading and cashmere tweed thread, which she threaded through the lace design.

September 15, 2006

S.F. Women’s S/S 07 – GENEVIEVE PRIMAVERA

Designer Mary Elizabeth Primavera took her fairytales to heart with her Spring/Summer collection embellishing her black and white collection with bows and a lot of draped fabrics and balloon shapes. In the opening section Primavera showed several knickers looks and skirt looks. One of the standout looks was a gray wool skirt with cutout panels on both sides of the skirt that done in a gray wool fabric with a swirl print in a lighter gray. The skirt is worn with a halter-top in the same swirl fabric. While many designers are incorporating leggings in their collections, Primavera opted for stockings. I loved the plaid stripe stocking; the elastic is weaved in a broad plaid design.

The must have piece from the Genevieve Primavera collection is the white silk satin skirt with a black chiffon shell that is covered with little black and white bows. Another must have piece is the short hem black wool pant with a gray paisley print on the fabric. The pant leg is on the skinny side; it would have been nice if it were a fuller leg. For her S/S collection Genevieve Primavera was to focused on the idea of knickers and short lengths that several looks lacked tailoring or clean lines, instead several looks looked to baggy or not cut properly. It would also have been nice to see some color in the collection.

View the complete collection at wireimage.com

[images via Wireimage.com

S.F. Women's S/S 07 – TAMIECE

An Asian invasion, after three days of only one Asian model on the runway, the ladies of Tamiece, Pamela & Sheena Borja casted all Asian models with exception of one! I love it! To open the collection the duo hit the pavement with a series of looks with a silk satin skirt design that is the strongest pieces in the collection. The back of the skirt is finished with scalloped panels. These skirts were shown in a number of colors from white, black and brown along with panels done in black, gold and cream. The sisters played with length in this collection, in the latter half they showed several coo-lot looks, which for petite woman is a distracting proportion. Pamela and Sheena also incorporated some of last season’s trends like the balloon shape skirt and ruffles.

Several prints were used throughout the collection but the standout print was a oil and water print done in multi-color palette. Sadly I was not a fan of the pieces that created for the print. The must have piece from the collection is the wrinkled brown & white crepe blouse draped with a window opening. The blouse is worn with a with a balloon cuff denim short. The Borja sisters have a great eye and talent for their petite customer. While the focus of this collection was to give more options to the customer, the broad spectrum of looks was a little lost. Overall Tamiece collection does have one of the best skirt designs of San Francisco Fashion Week.

View the complete collection at wireimage.com

[images via Wireimage.com]

S.F. Women’s S/S 07 – HisByHer